I also don't think that one should apply unneccesary or awkwardly modern categories or ideologies to work that is, after all, roughly seven hundred years old. I bow to this, as I believe one must. I have reverence for it and I respect it on its own terms.
But I don't have to like it, even if it's great. I enjoyed the poetics, shall we say, in Purgatorio the most, which is apparantly more or less the consensus of those in the know.
Paradisio was lovely in parts but they were the exception that proved the rule. Word on the street is: Inferno is the fun, horror movie, surreal stuff, Purgatorio is the best poetry, in terms of lyricism, and Paradisio was Aquinas-mad Dante's personal favorite groan. I remember when I was very young and asking my devoutly Christian parents what heaven was supposed to be like and there was some nonsense about singing all day about how happy you were to be with the Lord, how the Lord is happiness and how just to be around him, in his presence and radiance, was peachy fucking keen.
Well, sure, I suppose that works as far as it goes, for those for whom it's as far as it needs to go. But we couldn't get a little something better than that? Dante, poet of the ages, poet of the secular world according to Dan Auerbach, you wanna turn up the volume on the bliss of God a little higher, homeskillet? I guess I'm just more of a Milton guy at heart.
I know full well that he did pretty much everything Dante does, and with as much grandiose ambition and super-Christy pedantry, etc. Bloom says that Milton writes the great Protestant poem and Dante writes the great Catholic poem, which seems ok by me having read them both and having both strains hotly embedded in my blood. Honestly, though, I think when Milton paints a picture you can fucking feel it in your bones more than you can in Dante. It's got more verve, more swirl, more blue notes, more vibrance. More flesh, if you will. Dante is ultimately writing you a perscription, Milton is throwing thunderbolts.
Shelley once urbanely remarked that "the Devil owes everything to Milton". Well, for me at least, Dante owes everything to Dore.
More to come, once I get around to it, if anyone cares O Chief of Poets who dare'st look upon Him whom Moses was not given to see; Thou master of the word, who, like the dawn Shined upon a divided Italy To give men a vision of Triune Love, Who fills the cosmos with divine fire. This Love, which burned Dante from above, flashed from Beatrice - she he did admire for her perfect, heavenly qualities. Lead us, by thy intoxicating vision, the one which, by the Spirit, thou didst seize like such a careful and holy craftsman.
Reveal all our sins and all ou O Chief of Poets who dare'st look upon Him whom Moses was not given to see; Thou master of the word, who, like the dawn Shined upon a divided Italy To give men a vision of Triune Love, Who fills the cosmos with divine fire. Reveal all our sins and all our errors; show us Truth to save the world from terrors. Apr 10, Anne rated it really liked it Shelves: fiction , religion , poetry , philosophy.
I tried to cram it for a book discussion, and it just can't be read that way. So I split the difference. I really did find this edition and the footnotes to be super readable. View 2 comments. Aug 04, James rated it it was amazing Shelves: classics , poetry , italian-lit.
The Aeneid was read by Dante and others and the first part of the epic poem can be read as an allegory for the journey of one's life. The surface meaning of the Virgil's poem is the travels and travails of Aeneas between the time he leaves Troy and arrives in Latium, where he will found the city that one day becomes Rome. But the allegorical reading is one which can be applied to any man including Dante.
Aeneas demonstrates self-control in resisting the attractions of Dido while persisting in hi The Aeneid was read by Dante and others and the first part of the epic poem can be read as an allegory for the journey of one's life. Aeneas demonstrates self-control in resisting the attractions of Dido while persisting in his mission and in doing so overcoming many obstacles demonstrating courage and fortitude. Most importantly for comparison with the Dante's poem, in Book 6 of the Aeneid, Aeneas goes down to the underworld.
Dover Thrift Editions. I think knowing the story of Dante and Beatri I am still in awe after reading this book. Ex-library with the usual stamps. Dante Alighieri. Cool, right? Passar bra ihop.
The visit to the underworld in the Aeneid also parallels a similar visit made by Ulysses Odysseus in Homer's Odyssey. Dante knew the story of Ulysses from Ovid who recounts it in his Metamorphoses like Dante, Ovid suffered the fate of exile and expulsion from the city he loved and died without returning to it.
It is this recounting that inspired the tale narrated by Ulysses in Canto 26 of The Inferno. There are other borrowings from the Aeneid, notably the same Charon ferries spirits across the same river and refuses to take a living passenger at first Inferno 3. Further comparison between the sea voyage of Aeneas in The Aeneid with Dante's epic can be seen in the use of the sea-voyage image at the beginning of both the Purgatorio and the Paridiso.
In the twentieth century Hermann Broch began his novel of Virgil's last days with a similar motif of the ending of a sea-voyage with Virgil lying on his death bed in the entourage of Augustus.
Beside Virgil in a small trunk was the manuscript for the Aeneid. And Primo Levi, in his autobiographical Survival in Auschwitz, recounts how he kept himself sane by attempting to reconstruct Ulysses' great speech in the Commedy from memory. These words provided a touchstone of humanity and civilization even that modern version of Dante's hell. However, it is the fact that there is a game coming out based loosely on Dante's Inferno that made me go through with it.
Also, the one-two kick from Bruno Rontini's view of the Divine Comedy from the novel ""Time Must Have a Stop"" added to the wanting of reading this book. I love all the themes used during the Divine Comedy, which I found out was just given the ""Divine"" part later on fro "I personally was intrigued with this book for quite awhile now ever since reading it back in High School.
I love all the themes used during the Divine Comedy, which I found out was just given the ""Divine"" part later on from the church. The reverse of sinners being punished by the aspect of their sin such as lustful couples constantly being torn away from each other due to strong winds, is really unique. I also like how sin is purged in Purgatory. However, I have to say that my view of Heaven is not exactly like Dante's and maybe it's because I seen some awesome views of Heaven - especially in the video game by the same name - that makes it seem that Paradise isn't as grand as it seems.
Maybe it was grand back during Dante's time but due to how entertainment can make things seem to be, then it is a little behind-the-times. The Vita Nuova was a very insightful view on Dante's life and is more of a cliffbook for the inspiration of his writings, Beatrice which he never truly ends up with. The big thing about this book that gave some stars off is the same thing Bruno Rontini from ""Time Must Have a Stop"" said.
Dante has a major agenda and it is all due to his politics. It seems that this book was more political than a spiritual insight. Everyone that supports or has a bit of view towards Dante are either in Purgatory or Paradise while all the people of the opposing party or Dante's enemies are in Inferno. Not to mention, in Paradise, it would be expected of people talking about love and compassion and forgiveness - not condeming which was done in the Sphere of Jupiter when the souls condemned souls of the unjust to Inferno.
Despite the political themes hidden within the book, I suggest this book to those who love classic poetry, theology, and of course sociology. Dec 08, B. An epic poem in every sense of the word. I began reading this Poem on and off since , and have only finished it now in January ! As a bonus the Binyon translation renders the English in t This review is for the Laurence Binyon translation of The Divine Comedy that I read as a part of this The Portable Dante; , edition anthology: All I can say is that this was breath-taking. It may not be the most simplistic form but it is the most faithful and it confirms a sense that you are reading something poetic as opposed to oddly written prose.
What can I say about the story that has not been said? Sure it is dated and not exactly P. After you get past the Inferno you see what this poem really is about which is love courtly, sensual, and divine in my opinion. While one does get caught up in the action of the Inferno it is really just the set-up for the true aesthetic beauty of the piece in the Paradisio. The Purgatorio is the mix between these two incorporating elements of both and you will become as attached to Dante's mentors Virgil and Beatrice as he is after while.
So please get to this poem right away and no matter which translation try to get whatever brings the understanding of the poem closes to you.